IT was a paper wilderness in the round for Karl Lagerfeld’s couture offering early today, opened by Chanel nursery workers with their waterless jars in khaki and a straw form of the caps he had adorned with tulle for the show.
The garments were light in an uncommon mixture of fabrics that just Chanel is equipped for making – thousand-shade boucle and gem blossomed epaulets. The square color fleece suits that opened the show accompanied A-line skirts and long coats yet were quickly supplanted by the presentation of another line – slender and tumbling from the hip with a meager fabric sash circled through and hanging detached. Established in the level calfskin boots, this outline looked crisp, frequently matched with midriff-exposing tops.
Blooms were all around, from the fixes and shoulder to the arm warmers of tulle and the hair improvements of straightforward plastic swinging from the low plait Sam Mcknight had given every young lady.
You really wanted to think Karl had potentially been roused via Cara Delevingne’s style with the downy beanies spotted with ostrich plumes that looked extraordinary with the nighttime wear. It was a hopeful light demonstrate that gave Chanel a young essentialness without losing its elegance.
Chanel SPRING-SUMMER 2015 COUTURE
Chanel SPRING-SUMMER 2015 COUTURE
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