8 Şubat 2015 Pazar

Versace SPRING-SUMMER 2015 COUTURE

DONATELLA VERSACE conveyed a quick and enraged couture demonstrate this night, held by and by at the La Chambre de Commerce et D’Industrie. Column box red and cobalt blue were the main shades that separated the high contrast palette – was that a signal of solidarity with France at this troublesome time? On the off chance that it was there was nothing else enthusiastic or nostalgic about the show, which flaunted the abilities of the Versace Atelier with its lovely weaving and gem beading, now and again just on the finest of net. All over the place fabric was removed in bends either to open tissue or to be lined with that net. It was as though a scimitar had been utilized to cut at the fabric.


Versace SPRING-SUMMER 2015 COUTURE Versace SPRING-SUMMER 2015 COUTURE


As dependably the garments were shaped to the body, frequently with the bended creases uncovered. Short bolero aircraft coats went hand in hand with wide skirts with fishtail stitches. Precious stones were all over the place from the one-shouldered straps to the over-the-knee boots.


Furthermore eras of models were there to speak to: from Eva Herzigova and Amber Valletta – who shut the show with her blonde yield and dull undercut through – to Jourdan Dunn in what was truly a large portion of a dress. Karlie Kloss paraded in a definitive white jumpsuit, tight to the knee and after that flaring out in Donatella’s most loved trouser shape.


It was a proudly high voltage show, completing to the sound of Marvin Gaye’s “Sexual Healing” and was prone to discover support from the 90 private customers who had flown in from as far and wide as possible.


Versace SPRING-SUMMER 2015 COUTURE


 






Versace SPRING-SUMMER 2015 COUTURE
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