After working by means of fashionable artwork and robots in latest collections, Andrew Gn felt prepared for one thing recent and acquainted: flowers. And they had been very fairly flowers at that, blossoming off bodices as dimensional guipure lace appliqués and rendered in lush brocade. He referred to the gathering as his English backyard—and even flower novices may select the pansies and hydrangea amid the Impressionist palettes. Gn separated out the strongest colours—specifically, Kelly inexperienced, aqua, crimson, and citron—and confirmed them as simple-stylish blouses and skirts, neatly betting that florals aren’t each girl’s cup of tea. But as a result of he married the motifs with pastel-flecked, polychrome tweed (as ordinary, from Malhia Kent) or hedged within the blooms with black borders, they remained largely tamed.
Indeed, Gn realizes that there’ll all the time be a prepared want for black and white, and in stripping the colour, he drew the attention to asymmetrical placements of lace straight alongside hemlines, and used scorching pants and metropolis shorts as a pure steadiness for the fluid, vaguely petal-formed tops. Waists had been usually outlined by bows as if—maybe too actually—he’d gathered his flowers into bouquets. And Gn did handle to allow them to develop wild throughout a full-size, full-skirted robe or two. Whether your eye delights at these creations will rely on whether or not you’re a maximalist with a gentle spot for the Belle Époque or a minimalist who prefers ease of motion. As any André Le Nôtre or William Kent fanatic will agree, backyard types are deeply subjective.
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