Anna Sui‘s newest assortment felt just like the one she was destined to design. It stitched collectively—actually—a seize bag of her obsessions: London in its most fruitful late-’60s flowering, arts nouveau and deco, hippie, glam, star-crossed lovers Keith Richards and Anita Pallenberg swapping garments, defining eras….Kosmik Rock Star was Sui’s personal label for this journey to the middle of her thoughts, and glowing, celestial house was the broad stage on which she mounted her extravaganza.
Sui’s analysis is unparalleled in trend. It’s a surprise what you’ll find on eBay. Like the classic Sanderson linens that have been at one time minimize right into a jacket for George Harrison. Or the jackets that Mick Jagger’s brother Chris hand-painted for John Lennon and Jimi Hendrix. Or the psychedelic posters designed by Nigel Weymouth, whose boutique, Granny Takes a Trip, was floor zero for Sui’s Spring assortment. “In that interval, that was what everybody needed to put on,” she mentioned. What designer would not want to declare such authority in our personal unsure instances? Sui set about re-creating Weymouth’s world as she imagined it was. Antique prints excavated on eBay—Biba-like motifs of Pierrots, cats, kewpie dolls, a person within the moon—had been reproduced. Terry de Havilland, English shoemaker of legend, was commissioned to remake his most well-known footwear, with motifs of clouds, rainbows, and lightning bolts. Here had been Keith’s sun shades, and there was an iridescent cape and matching pants that Pallenberg, essentially the most satanic majesty of all of them, would have sported.
What saved this trawl by the previous from being an train in trend necrophilia was a) Sui’s ardor and b) her genius at styling (that’s, in any case, how she began out in style). Passion persuades. Sui loves what she does as a lot as life itself. It exhibits. But she additionally has the smarts to compose a convincing story out of the elements she creates. If her girls and boys spun down the catwalk in a lyrical cloud of shine and lightweight, there was a distinctly fashionable angle within the volumes and proportions.
And one other factor: Sui and her majordomo, Thomas Miller, have been out in Bushwick trying on the psychedelic road artwork and coming to the conclusion that there’s an idealistic groundswell, “one thing apart from the tremendous-modernist, minimal factor,” as she put it. That is, in any case, how the Pre-Raphaelites got here into being, as a response to the Industrial Revolution. People, there’s change afoot.
Anna Sui Spring Summer 2015
Anna Sui
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