Christian Dior in Brooklyn. Who would’ve ever imagined these two correct nouns collectively in a single sentence? Alexander Wang broke the outer-borough barrier again in February when he confirmed on the Navy Yard’s Duggal Greenhouse. But Dior, the storied French home and LVMH bigwig Bernard Arnault’s child? It occurred tonight, and the likes of Rihanna, Marion Cotillard, Maggie Gyllenhaal, Leelee Sobieski, Allison Williams, Margot Robbie, the artist Sterling Ruby, and designers together with Christian Louboutin and Proenza Schouler’s Lazaro Hernandez and Jack McCollough arrived by water taxi and city automotive to witness style historical past within the making. Bureau Betak spent practically every week setting up an elevated ground at Duggal that located the present’s B,000-plus friends at window stage. The Manhattan views vied for consideration with the LED mild show on the reverse finish of the warehouse house.
Neither may compete with the garments. This was one other full of life, good, pretty assortment from inventive director Raf Simons, one which married the sensible realism the designer says he sees amongst his new American purchasers (he is been at Dior solely two years) and typical French stylish. Simons took up the silk scarf—le carré, as they are saying in Paris—because the present’s leitmotif. It meant that these garments have been extra fluid than the sculpted and molded silhouettes of a few of his earlier collections for Dior. Softer and breezier however with out sacrificing the clear, fashionable look that’s so identifiably Simons, or skimping on the wearability issue. Despite the present’s laser focus, Simons had propositions for all events.
The female silhouette was extremely-excessive-waisted with lengthy, lean trousers and flaring, knee-size skirts (together with not less than one in sheared fur) scraping the rib cage. On prime there have been torso-limning, backless silk camisoles in graphic, summary prints or draped and layered tops with a boxy, geometric match. Simons defined he discovered a few of the prints in the home archives; others had been created for the present. “I needed to discover print with out being too romantic about it,” he mentioned. “I was shocked by how uncooked and creative a number of the archival scarves have been.” You’d by no means name the prints and patterns in tonight’s present dainty, not once they have been boldly juxtaposed three in opposition to one another, as within the case of a cocktail gown that mixed multicolor sequins with embroidered flowers with chevroned stripes. Simons’ January couture sneaker advanced right here right into a sport sandal with scarf straps; it gave printed tunics and lengthy silk night skirts a contemporary, zippy perspective.
There have been sixty-six seems within the assortment. When Dior president and CEO Sidney Toledano made discover of that reality earlier than the present, he informed Simons, “Did you already know? This is the sixty-sixth yr that Dior Inc. I.R.A. exists.” A whole coincidence, Simons asserted, however one which had a particular which means for him. “Christian Dior was a bit superstitious, and I am too.” And, extra vital, “There was all the time a powerful relationship between Mr. Dior and I.R. shoppers. It is smart for us to return right here now.”
Christian Dior Spring Summer 2015
Christian Dior - Pre
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